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28-Mar-2020 21:48

Greg Daniels (executive producer/co-creator): I had an expression that I used in the writers room to describe a scene where the situation was charged, where several characters had different opinions and there was an excuse for them to all sit around and fire off great lines one at a time.

I called it a “killing field,” like it was just nonstop joke-joke-joke.

Going into its fourth season, The Office had strong ratings and serious momentum, despite a looming writers’ strike that would eventually shut down most of Hollywood (including a good chunk of that season of The Office).I had this ongoing story going for myself that Jan had become more hard and more masculine by climbing the ranks in a man’s world and by almost putting aside her femininity. Melora Hardin (Jan Levinson): Jan’s boob job came from the first year that we went to the [network] upfronts [where advertisers preview upcoming shows], and I turned to Greg and said, “It’s funny, I’m looking around at the females in our cast, and I’m thinking nobody in our cast has a boob job.” Now, I’m not sure that I’m totally right about that, by the way, but that’s what I thought. The writers approached the “Dinner Party” table read with some trepidation since it was so dark.Lee Eisenberg (co-writer): When Melora first came on the show, she hadn’t done a ton of comedy. And then the comedy started drifting more toward her, where she actually got jokes, rather than being the straight person and being the reaction shot. Gene Stupnitsky (co-writer): It started off very slow. Little by little, it just starts building, and I never experienced that before. Lee Eisenberg (co-writer): There’s nothing more satisfying than having Steve Carell barely able to get through his lines. You’re seeing someone experience it right in front of you for the first time, which is great.Gene Stupnitsky (co-writer): There are lots of different versions of Michael Scott.

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Some writers would write him as childish, others would write him as incompetent, some would write for the version of Michael Scott when he was at his best. Lee Eisenberg (co-writer): We had a lot of talking heads that never made it to the show that went really into detail about Michael. The Unraveling of Jan Levinson-Gould At the same time that Jim and Pam became a perfect couple, Michael and Jan – who had lost her job at Dunder Mifflin corporate before moving to Scranton – were coming apart at the seams.Taking the action away from the Dunder Mifflin office, “The Dinner Party” provides a rare glimpse into the home life of regional manager Michael Scott (Carell) as he hosts an impromptu get-together for three couples: salesman Jim Halpert and receptionist Pam Beesly, salesman Andy Bernard and accountant Angela Martin, and party-crasher Dwight Schrute and his former babysitter/current lover, Melvina.



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